I’m always cheered up to find out that stuff like this exists.
That’s an O’Carolan (17/18th century harpist) tune, by the way. And I have no idea who these people are. “SHEENA,” apparently. But that’s OK.
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The background is from Maxfield Parrish's Ecstasy, and is (to the best to my knowledge) in the public domain.
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Amazing isn’t it, how the wooden and metal flutes can have such a different sounds and how the wooden flute can blend with stringed instruments.