One of my readers (JAB) found this: the SCP Foundation. Said reader described the site as “Delta Green and Warehouse 13 had a love child:” I personally would have said GURPS Warehouse 23, but that’s just me. On first glance? Useful fodder for DG, GURPS, or The Esoterrorists. Also: kind of disturbing, but in a good way.
Continue reading Check out this “The SCP Foundation” site my readers found!
Dear Sirs or Madams*,
Please make more new things.
*Mostly ‘Sirs.’ I wonder why that is, particularly since the existing status quo is serving up crap on a regular basis.
Here you go: strip out the color on these pics and maybe do some basic Photoshop distortions on them and you’ve got instant freak-outs for your next horror game.
Don’t click the link if you don’t like being vaguely freaked out by stuff. No blood, no gore, no tentacles – but the pictures are kind of unnerving, in that pattern-mismatch sort of way.
David Thompson passes along a picture of a section header from a Barnes & Noble; I saw something similar (‘Supernatural Romance’) at a Books-a-Million yesterday when I picked up a copy of Gail Carriger’s Blameless (The Parasol Protectorate).
Gimme a break, it’s steampunk. Alt-history steampunk horror. OK, OK, maybe there’s just a bit of romance novel ethos in it… but it also has clockwork assassin beetles in it, so I don’t want to hear any snickering, OK? Anyway, this entire werewolf/vampire Byronic hero thing seems to be quite the fad. Did the demographic that reads romance novels get bored with pirates?
And, more importantly, is there any way to suck them farther into the genre?
(via Ain’t It Cool News, via Nodwick) Mind you, I’ve never read the comic…
“I, Frankenstein” comic morphing into movie
LOS ANGELES (Hollywood Reporter) – Director Patrick Tatopoulos, “Underworld” co-creator Kevin Grevioux and Death Ray Films are teaming to bring the comic book “I, Frankenstein” to the big screen.
“I, Frankenstein” is an upcoming Darkstorm Comic written by Grevioux that brings together classic monster characters, including Frankenstein’s Monster, the Invisible Man, Dracula and the Hunchback of Notre Dame, in a contemporary film noir setting.
The Monster, for example, who has evolved and learned how to control his anger, is now a private investigator. Dracula, meanwhile, is a kingpin of crime, and the Invisible Man is a secret operative.
…but I am an absolute sucker for mashups like this, as my enthusiastic embrace of Pride and Prejudice and Zombies might suggest. Noir works particularly well with horror, as Kim Newman demonstrated with his Chandler/Lovecraftian “The Big Fish” (found in The Secret Files of the Diogenes Club) and Tim Powers sorta-kinda did with his Cold War espionage/urban fantasy book Declare (you will enjoy that book, particularly if you are Catholic). The image of the Monster dressed in a cheap suit and askew fedora appeals; it has a certain iconic feel to it that I can’t help but respond to.
Hopefully, it won’t suck.