…presumably. The antitrust folks are already starting to go a little pop-vein on the subject, and while such issues are beyond the scope of this blog now they’re still there. And understandably: with MGM’s library Amazon can compete in the Streaming Wars, and it’s in an unique place for selling you physical stuff while it’s giving you access to said library. I don’t know how much that’s worth, but it’s probably worth something.
Other than that, my earlier opinion stands: meh. Somebody’s gonna buy MGM’s library, and I already have Amazon Prime.
Brutal, but the studios have brought it upon themselves. Also a little unfair, since I know that Honest Trailers liked AQUAMAN, WONDER WOMAN, and SHAZAM! just fine. But there’s no denying that the DCEU needs something to make it less scattershot.
Not gonna lie, I’m not really fully up to speed on the lingo. But it certainly sounds like somebody took a look at the POWERPUFF pilot and said “This sucks:”
Powerpuff, based on the original Cartoon Network animated series, will be reworked and repiloted off-cycle. The four leads — Chloe Bennet, Dove Cameron, Yana Perrault and Donald Faison — as well as other cast and the writers-producers all remain on board the project, from Warner Bros TV/Berlanti Prods.
There are any number of questions one might ask about how they’re planning to integrate THE ETERNALS into the MCU, but I don’t care because Jack Kirby. That’s their aesthetic, going forward. It’s gonna be a lot of Kirby.
THE HITMAN’S BODYGUARD is some funny crap. It’s absolutely incoherent, and everything about the plot is deliberately absurd. Neither Ryan Reynolds nor Samuel L Motherfu*king Jackson give a good Goddamn, and that’s okay. I really needed to watch this level of total bullsh*t this evening.
Okay, fine, the answer is probably no. They’re just going to do the movie version of the cutscenes, or something. But you know me: always ready to stir the ordure.
And while I’m here: I personally cannot wait for the current crop of revisionist Superman stories finally plays out. I kind of feel bad for the folks who made SUPERMAN: RETURNS, honestly. They missed… the moment, the confidence of the studio, something… and then it all got abandoned when MAN OF STEEL came along. The irony is, I think the former will eventually end up being remembered as being the ‘real’ sequel to SUPERMAN II, while the latter will not get a critical reevaluation. Or something like that.
All that being said, turning the animated INJUSTICE movie into the animated JUSTICE LEAGUE sequel would be gonzo. If only to savor the outraged screams of everybody still upset that the Snyder Cut even got made.
“I always saw it as an indictment of, in some ways, popular culture. I think at the time I was criticized for it being the opposite, like some sort of sexist like, rant, but it was fun to make and I still love it to this day. That was the first time where I really faced like a true radical restructuring of the film for it to be more commercial and there’s a director’s cut of that movie that has yet to be released. I’ll say that out loud.”
Chatter that Amazon (and other tech and media giants) have been sniffing around MGM has circulated for some time. But sources indicated that Amazon’s interest in acquiring the studio has taken on a new tenor beyond the usual rumor mill. The deal is said to be being orchestrated by Mike Hopkins, senior VP of Amazon Studios and Prime Video, directly with MGM board chairman Kevin Ulrich, whose Anchorage Capital is a major MGM shareholder.
(Via GeekTyrant) The offering price is reported 9 billion, which coincidentally also answers the question Just how much money is MGM’s library worth, anyway? Despite the melodrama above, I’m actually more or less unbothered by this. More accurately, I recognize that the current model of as-close-to-endless-copyright-as-we-can-manage requires that all streamable movies and TV shows will end up being owned by some corporation — and I already have Amazon Prime. So shine on, you crazy diamond.