Was… anybody looking for a TV show set on pre-Jor-El Krypton?

I mean, this isn’t necessarily bad:

Syfy today announced it has greenlit a pilot for Krypton, the Superman prequel series set two generations before the destruction of the legendary Man of Steel’s home planet. Krypton will follow Superman’s grandfather — whose House of El was ostracized and shamed — as he fights to redeem his family’s honor and save his beloved world from chaos.

…but I don’t know if anybody was actually looking for something like this, ahead of time.  Certainly it never occurred to me until I saw the article. Which may be a selling point for originality, although I suppose that Gotham is demonstrating that you can get eyeballs for prequels like this. Continue reading Was… anybody looking for a TV show set on pre-Jor-El Krypton?

This Luthor/Metallo Texts From Superheroes exchange explains it ALL.

This makes perfect sense to me. There’s a reason why Superman’s rogue gallery isn’t as psychopathic as Batman’s is: Lex Luthor probably has all of the really crazy ones quietly killed.  Because what happens if Superman ever decides that this ‘live like a normal human as much as possible’ thing isn’t really working for him? — Actually, you don’t need to answer that one; there are a bunch of comic story lines that explore that, usually with a lot of heat vision going off.  So, yeah, keep the Man of Steel busy cosplaying…

Moe Lane

PS: You do have to wonder: why has nobody ever just shot the Joker in the head a few times?  I mean, I don’t condone violence, but it seems like a fairly obvious, if rather drastic, counter-Joker gambit. I suppose that Batman wouldn’t like it…

Had to have ‘the talk’ with my eldest just now.

I wasn’t expecting this quite so soon, but he just up and asked out of the blue: “Dad, who would win a fight: Batman, or Superman?”  So of course I had to explain to him Batman, son.  Because you know that Batman always has a plan, so he’s already ready to fight Superman.  And Superman’s too good a person to have a plan to fight his friend Batman. …He seems to have gotten it, so: whew.  Bullet, as they say, dodged.

I have an unanswered question about Superman theme music that maddens me.

It’s basically this: this is the only correct Superman theme music. Shush: science has proved it.

We did not get this theme music for Superman Returns (which I thought was otherwise an excellent attempt to pretend that Superman III never actually happened*) of Man of Steel (which I couldn’t manage to finish).  …OK. Fine. Must be a licensing problem… Continue reading I have an unanswered question about Superman theme music that maddens me.

…Look, I want to see Batman v. Superman, too.

But I have to ask: why the shocked cheers?

…They’re showing you Batman. Everybody knows that Batman v. Superman is coming. So it is not exactly a surprise to see Superman on the screen, there. Just saying, that’s all.

Moe Lane

PS: Batman would win, of course.

@JVLast speaks for me in this matter.

When it comes to WHAT MUST BE the essential nature and conflict in the upcoming Batman/Superman movie, take Jon’s words as if they had come from my throat, with my voice. I mean no disrespect to Nolan, mind, but Jon’s point is well-taken:

In Miller’s world, Superman and Batman embody two polar views of the human condition. Superman believes in the perfectibility of man and the eventual triumph of the City of God over the City of Man. Batman does not. In fact, he views even the City of Man as a tenuous achievement, and one which must be constantly defended against the depredations of human nature. He believes in the Enlightenment, but not in its inevitability. And because of this, he believes that an übermensch such as Superman is at least as much a threat to civilization as he is its savior.

This is satisfying in a way that using the Nolan Batman could not be. Christopher Nolan’s Batman exists in a very different universe that Zack Snyder’s Man of Steel. A movie that sought to bring them together would struggle for coherence, because Nolan’s Batman would ultimately welcome a Superman. But a Superman-Batman movie must have tension between the two characters if it’s going to have anything interesting to say.

Although I will add this: Nolan’s Batman likewise labors under the burden of being, at the end, alone. There can only be one Dark Knight in Nolan’s universe at a time. Heck, the entire plot of The Dark Knight Rises would be nonsensical in the DCU.  But Miller’s Batman can live, easily enough, in a wider super-heroic milieu.

Moe Lane