I mean, yeah, that Avril Lavigne video* is pretty dumb, but this Ann Althouse commenter here has the right of it:
If examined closely Japanese popular culture would explode the brain of the average political correctness warrior in the USA.
Here is a not entirely atypical example, chosen partially because the artist (Kyary Pamyu Pamyu) is both popular and known for her adoption of Western styles and themes – but mostly because it is, by our standards, highly insane:
(WARNING! What is once seen, cannot be unseen!)
I look forward with some interest to see people on the Left start yelling about her. It would certainly fit in with their somewhat parochial world-view… or would, except that the people most exercised about cultural appropriation somehow manage to also take the curiously intellectually incoherent position that only the West is advanced enough to be held accountable for its actions. Don’t ask me: I’m not part of that particular Sphere of Epistemic Closure.
Seriously, I think that if Vox wants to criticize cultural appropriation than it should find writers who are a little less provincial and a little more experienced with the culture in question. I’m not asking that they find writers who know more than the cultural appropriator that they’re criticizing; doing that violates a rule of the Internet, apparently. And apparently reflexively honoring every bit of a subculture’s ruleset is the most important thing these days.
Moe Lane (crosspost)
PS: It is the consensus opinion (no, not really) of my peers that, every so often, Jeff Bezos destroys about ten million dollars or so and sends the remains to Ezra Klein. Just so that Klein understands that it wasn’t about the money.
*Quick summary: Avril Lavigne** did a music video (yes, they still do those) where she went dubstepping*** around Tokyo with a bunch of blank-faced backup dancers while dressing oddly and singing a song whose refrain was Hello Kitty / You’re so pretty. And, oh, yes, there was a sped-up bit of her ordering sushi, then eating it all kawaii****. All of this apparently made Vox decide to start yelling for her to get off their lawn, because she’s a horrible cultural appropriator. …I don’t know if that even means anything in this particular context.
**She’s a blink-and-you’ll-miss-her pop star.
***It’s sort of like techno, only in slow-motion.
****It’s sort of like being super-cute, only you’ve just snorted five lines of of Pixy Stix.
What is heard, cannot be unheard. J-Pop loves its earworms.
(I admit taking a bit of sadistic glee in introducing metalheads to Babymetal.)
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To appropriate Japanese culture, you’d first have to understand it. That’s difficult if you grew up in a Progressive monoculture in a Western society, imbibing the meme that all people are basically the same.
I didn’t, I lived over there for a year, and I freely admit my inability to wrap my head around any but the barest themes and a couple of the underlying assumptions of Japanese culture.
Thing is, they’d probably say the same about American culture.
Yawn.
How is this soooooooooo different from Katy Perry or Nicki Minaj?
You want to know what will stain your soul for life, and cannot ever be unseen?
Miley Cyrus twerking with her ass up against a man twice her age’s crotch.
I dry-heaved for weeks after that!
In terms of “stone-faced, expressionless [Japanese] sidekick dancer ladies”, I prefer the Robert Plant “Addicted to Love” music video stone-faced, back up dancer ladies. More seriously, I suspect the author of the piece, Zack Beauchamp, is a bit young to know and/or appreciate the Robert Plant video.
Zack Beauchamp … hmmm … Beauchamp … Where have I heard that name before?
Could Zack Beauchamp be related to the infamous left-wing fabulist Scott Thomas Beauchamp?
I believe you mean Robert Palmer
I especially liked the bit where a rainbow shoots out of her ass.
Off topic:
The background on the site is Maxfield Parrish and his fav subject, his daughter, Jeanne. I have one of her oils on my wall and knew her well.
What’s even more insane here is that she does a signature Jonathan Joestar pose from the very long running Jojo’s Bizarre Adventure. that manga just got animated in 2012-2013 season. http://tinyurl.com/3sfr4ma
That’s Palmer, not Plant.
Grievance mongers have been perfecting this nonsense for along time. Poor Paul Simon caught hell for “appropriating the culture” when he made “Graceland.”
Anybody remember “Sukiyaki?” The real title was “Ue o Muite Arukō,” but, as Wikipedia so delicately puts it, “In Anglophone countries it is best known under the alternative title ‘Sukiyaki’ (a term with no relevance to the song’s lyrics).” Ha! World beat music has been with us for a looong time. As has “insensitivity” to other cultures! But we suck it up with a trowel and only the prissy ones get all swooney.
That nice Jewish boy Herb Alpert made a monster fortune reinterpreting mariachi. Nobody batted an eye. I long for those times.