That’s the title of this post by Dresden Codak webcomic author Aaron Diaz, and it’s… very readable, actually. I’m not a graphic artist, but Diaz’s analysis of costume design, its goals, and its pitfalls was easy to follow along, and made a good deal of sense to even a non-initiate. Quite worth looking at.
Now, if only he could manage to draw a darn comic more than once a month…
Apparently I’m not in a political mood yet this morning: this Dresden Codak comic still has me laughing. From a director who adapts classic books to movies without actually reading the former first:
I was hesitant to do the The Grapes of Wrath
, due to its similarity to Attack of the Killer Tomatoes
*, but my financier insisted on at least one Steinbeck adaptation.
And that’s not even the punchline. Continue reading ‘Dark Science.’
From the fascinating Le Cinema de Dresden Codak, Emission Un: “En Deuil”
Le Cinema de Dresden Codak, Emission Un: “En Deuil” from Harris Porter on Vimeo.
Ah, Dresden Codak. You befuddle me with the shiny tinsel of your transhumanist philosophy: I return the favor by periodically befuddling your referral logs. The dance continues.
…examples found here and here is how accessible the concept is to people like myself: i.e., one step above pig-ignorant about philosophy. Dresden Codak in general is like that; it’d be one of my favorite webcomics if he’d just buckle down and get to work on it on a regular basis.
Hey, Schlock Mercenary demonstrates that you can combine quality with professional-level reliability…
