(I originally wrote this when I heard about the P&P&Z book, and tried shopping it out to Big Hollywood. Alas, no luck: but since I just pre-ordered the book with some birthday gift certificate money, I might as well put this article up here. I was pleased with the way it came out, after all.)
The buzz today is over the greatest development in movie synergy since Hollywood decided to puree 134 films to make Independence Day. I refer, of course, to news that studios are fighting to option out Pride and Prejudice and Zombies, which is coming out April of this year. What makes this exciting is that if successful, this movie could begin a trend:
Other talent agencies are pitching their own slate of monster-lit titles. They include a version of Emily Brontë’s Wuthering Heights, where Catherine, the deceased heroine, returns as a Japanese-style ghost not only to haunt but also to terrorise Heathcliff.
In a reworking of Charlotte Brontë’s Jane Eyre, Mr Rochester has something more terrible than an insane spouse in his attic, and a version of George Eliot’s The Mill on the Floss is powered by human sacrifice.
The worry here is that the above might reflect the limits of said talent agencies’ creativity. In light of that, I offer five concepts for those looking to interweave the genres of mainstream literature and horror. I assure you that people would watch these films… and that literature critics would climb over each other’s dead bodies in order to attack them. Continue reading Pride & Prejudice & Zombies… Is Just The Beginning!