I’m not sure they got it right. As Stephen King himself noted, THE STAND is a book about medieval Christianity, and while King may not have meant that description in an entirely positive way, the novel draws a lot of power from the idea that the Divine is not and will not be commanded by Man. It’s not enough to believe in God; what’s needed here is to fear Him and His implacable, inexorable goodness, and I don’t know if there’s a mainstream director at the moment who can manage that.
But I might be wrong, here.